Blow on its pages and they might lift and fall differently: cheaper, lighter paper is being used in some books. Peer closely at its print and you might notice that the letters jostle more closely together: some cost-conscious publishers are starting to shrink the white space between characters. The text might run closer to the edges of pages, too: the margins of publishing are shrinking, in every sense. Changes of this sort can cause anguish to publishers. A book is not merely words on a page, says Ivan O’Brien, head of The O’Brien Press in Ireland, but should appeal “to every single sense.” The pleasure of a book that feels right in the hand — not too light or too heavy; pages creamy; fonts beetle-black — is something that publishers strive to preserve. […] For at the heart of the publishing industry lies an unsayable truth: most people can’t write and most books are very bad. Readers who struggle with a volume often assume that the fault is theirs. Reviewers, who read many more books, know it is not.
Categories: Leben (Life aka misc)
